ThaOGDreamWeaver

Denied! I'm not sure movie directors should respond to fan questions directly, but Gunn seems to be fearless and enjoy teasing fansites. The rumour that it's 122m was just a rumour, as was another site that said 140m (with international variations). Neither are correct because the movie hasn't finished final VFX and edit yet, so even JG doesn't know the exact runtime - and took the time on Threads and Insta to say so. When the movie is locked and sent to print - which even in the digital age is still a thing, though post-release edits have been known - that's when the exact runtime will be released. That said, Gunn's movies tend to clock in at a distro-friendly 95m (Slither, Super) to 150m (GOTG3) anyway. He knows his audience...

Didn't say that. There are many people throughout history (and stories, and comics) who people looked to for leadership and wound up becoming the villains. Conversely, there are many people who never wanted to be heroes and wound up that way. What RiRi is (or isn't) is up to the writers. The only thing we can say on her balance right now is that she has a (generally) good heart and good intentions... ...but is also ambitious, dislikes rules and strictures, and is prepared to take shortcuts to get where she wants. Which makes Ironheart, in my humble opinion, the be careful what you wish for flavour of Hero's Journey story. Hero sets out to do something. Hero takes unwise shortcut. Things go A over T: hero has to fix the problem they helped create. You also have to play by their rules. Such as progress reports, expense claims, waiting on grant forms, so on and so forth. So someone who's maybe a little bit distrustful of rules, bored by procedure and impatient to get where they want to be... ...might be tempted by an unfettered source of money from an apparently kindly sponsor with a similar attitude. Take it from me: there is almost always a catch. (In my case, having said funding source on the front page of the Financial Times. Not for good reasons. I mean, probably not in league with actual demonic forces: being a man of wealth and taste, I don't think Mephisto would have any truck with him.)

IMHO - I have no idea what's in the writers' heads at this point... The MCU world has just been through a lot. Billions of people exterminated and then blipped back. Millions still died in incidents related to the Snap (eg: whoever was left on that unfortunate airliner that drops out of the sky at the end of Infinity War.) After which, the Avengers buggered off. Tony and Nat are dead. Cap took a much deserved reward. Bruce's mostly retired. Thor left to walk the cosmos. And when people are traumatised, they look for people to lead and protect them. Not always the right ones, but you wanna know about that, hit up your library's history section. And it's not always the right people who step up to try and fill that gap, either in capability or motivation. (In-universe - Thunderbolts: Bob/The Sentry is shoved to the front by Valentina as a new superhero under her control. It goes badly. She then tries to front up the Thunderbolts crew and... well, given the end creds, nobody quite believes them.) So people still need heroes. There are literal murals to Tony Stark all over NYC (and yes, it seems odd that people still live there, but when you've lived through the Summer Stench on Broadway or dealt with the Bronx Expressway, maybe eighty-foot intergalactic centipedes aren't quite as traumatic.) Riri, understandably, would want to step up, and has an evident need to prove herself. Whether Tony'd ever admit out loud she was an equal is one thing, though he always recognised game.

Law brains and tech brains don't always work well together. And it's not like universities haven't actively tried to rip off unsuspecting students' and researchers' work over the years. (Not to mention the universities' sponsoring corporate institutions like Google, Roche, and many others). If you want a nicely capey example, Madey vs Duke (2002). In which Duke U tried to keep the designs and prototypes of two electron lasers for "experimental purposes" (while developing their own commercial versions.) In that case, Dr. Madey lucked out with patent law and got his work and kit back. Good thing all round, really. I mean, imagine an experimental laser researcher with a grudge against the world... ...that's an origin story right there.

Adam Lambert - Ordinary World

Cheap Trick - The Flame

Explaining the parsecs thing could have been a little over-splainy too but worked in the end… “we cut the distance (NOT THE TIME I NEVER MEANT THAT) by doing something spectacularly dumb and dangerous”. If I had a problem, while it assiduously tied up or into a lot of threads of lore, it left a lot of others dangling open for a sequel that never came (although later comics picked up Qi’Ra and co.) And while Alden may have been a little short for a stormt… nerfherding pirate, he did channel a LOT of Harrison’s charisma. I don’t think anyone could have matched it, but damn good try: especially when paired up onscreen with Glover. Felt like the marketing crew really didn’t get to grips with how to pull punters in, and still not sure where some of that $275m budget (ouch) went. But it’s ahead of the sequel trilogy in my affections and… just a good, fun popcorn movie.

Not just in the East. I’m aware Take That’s fame stops dead at the edge of the North American continental shelf… but if you can, do yourself a favour and find Better Man on streaming. Yes, it’s a true(ish) story, but if it helps, think of Robbie Williams as an outlandish cartoon caricature of a popstar. The real Rob would probably agree. It’s laced with vicious invective against the music industry, the band and the man himself. And it’s an astonishing, moving, gut wrenching and funny piece of filmmaking that deserved better at the box office and Oscars. (And there are tunes too.)

He's not on any official cast list yet - they could be hiding that one for a late reveal. The rumour and sighting at Marvel Pinewood is from back in 2022, so that's well before this production began. And being something of a master of disguise, he could have had a walk-on in more or less any Marvel production we've seen since then and we'd never know. https://deadline.com/2022/10/sacha-baron-cohen-mcu-ironheart-mephisto-marvel-disney-plus-1235147636/ One interesting side note: he's been attached to a period-superhero project for Mandrake The Magician (King Features comic, from the same stable as The Phantom, Flash Gordon and Popeye) since 2016. I think he'd have a lot of fun with that. Also, nice to see Alden Ehrenreich of the unfairly-maligned Solo movie back. (I had a lot more fun with that than the prequels or sequels - though it might have played better as a D+ series of capers, as a comedic parallel to Andor.)

Interesting little oddity for your Netflix queue list... Despite the big banner from from the same studio as Spiderverse, there's not one shared senior cred on it. That said, it seems to share something of the same sense of humour and fluid art style.

Have finished Andor now… and I’m just going to say that in almost every respect, it was eminently satisfying…

Prince - Arms Of Orion

No idea. Somehow a small-town American cop winds up mixed up in this, so - unless she gets mixed up with a Lantern or becomes a Star Sapphire, which her character's name (Sheriff Kerry) does not suggest - I suspect it may be a mostly Earth-bound investigation. And I'm going with the Dr. Who explanation, which is Earthlings are the pain in the ass kids of the Universe. Important, inventive, sometimes fun, often selfish, occasionally capable of great acts of genius or heroism... and they need a lot of looking after.

Sci-fi detective procedural series. I'm not sure how the True Detective rumour plays into this, as with Fillion kicking around too, it could go very Supernatural-silly very quickly. Not like that's a bad thing. Given McDonald's character is a proper supporting role and listed as a Sheriff, I'm guessing small rural American town has something/someone quite nasty hiding in it. And navigating intricate local politics to find clues and fight crime will be involved. (Gives a whole new meaning to y'ain't from arouuuund heeeerrrre, are ya boys?)

Gah. Fixed that. Thanks. As to your question: not much beyond rumour at this point. I'm not found of the "studio insider said" clickbait at the best of times, but the one small thing I've found sounds sensible. To do The Authority justice, you'd need to chuck $150m+ at an R- or at least 15-rated script. Deadpool pulled that off in spades, raking in $780m off a $58m budget and racking up a slew of awards. But it's a big gamble. I would bet, with everything else going on, it's not going into production until after the bucks from Superman are banked. Then we'll know if there's still an audience and distributor appetite for cape flicks, and DC Studios will have proved themselves (or not.)

Yup. Blue Beetle was the last official film released in the "DC Extended Universe". The Flash was supposed to be the actual canonical "Flashpoint" type reboot event. But given flaccid commercial performance and other events around the movie, it's more of a full stop than a place to carry over from. James Gunn & Peter Safran (producer) started the new DC Universe with Phase... sorry, Chapter 1, "Gods And Monsters". Which is a nice classic movie reference (Bride Of Frankenstein) as well as one of the better DC animated movies. There are a few odds and ends with a foot in both worlds - Peacemaker was DCEU and will continue into DCU, with several guests from the DCU showing up (Grillo as Flagg Sr., Sean Gunn as Maxwell Lord, Fillion again, and Isabella Merced as Hawkgirl.) There may or may not be some kind of soft-reboot event in-series that marks the change. Xolo from Blue Beetle may come back as Gunn liked the movie and his performance, but nothing booked yet. The Batman, Penguin and The Batman 2 will continue as a separate Elseworld. (Quite happy about that, as it means Gunn and Safran aren't fussy about doing off-kilter projects. Still hoping for Gotham By Gaslight.) First five announced DCUc1 films are: Superman (fka Superman: Legacy) - final post & polish. 11 July 2025. Supergirl: Woman of Tomorrow - in production. 26 June 2026. Shooting at Leavesden using some of the Superman sets, and on location in Scotland and Iceland. Milly Alcock will make a guest shot in Superman. The Authority - script development. Angela Spica María Gabriela de Faría may reprise The Engineer if the script calls for her. The Brave and the Bold - script development. Despite the name, apparently goes to the Morrison era and will feature a lot of the Bat-family: so Batman & Son sounds like good core material. Worryingly, Flash's Andy Muschietti currently attached to direct. Hopefully he can do a better job with better suits and a new, less troublesome cast. Swamp Thing - development hell - James Gunn's other dream project since the Troma days, possibly with James Mangold on board. TV and Animation: Creature Commandos - on release - and featuring The Bride as a core character, which is nice. Note that Grillo and Davis continue their characters in/from animation. Waller - in development - spinoff of Peacemaker, and Viola Davis should reprise if available. Lanterns - in development, expected 2026 - Kyle Chandler and Aaron Pierre booked as Hal Jordan and John Stewart, plus Fillion gets to suffer that haircut and makeup again as Guy. Kelly MacDonald joins as a civilian. Apparently inspired by True Detective. Paradise Lost (WW prequel series) - in development - all-girl(?) Game Of Thrones on Themiscyra. Booster Gold - in development - not much detail out there at this time.

Messiah - Temple Of Dreams (flashing images)

O-Zone - Dragostea Din Tei

Thou Shalt Not - If I Only Were A Goth

Had a look through the other toys on offer and forgot they've thrown Metamorpho into this too, though he's a good guy. Having looked at some more offerings on the site, Multiverse might just be the branding for the toy/merch line. There's a whole range of stuff under that name, including JL Red Supes, the Keaton-Bat from The Flash, the classic animation Supes, various Harleys, Arthur and Murray from Joker... Speaking of which, They've already said that Matt Reeves The Batman and the Penguin series exist in a seperate Elseworld, and if the Bat shows up in this on top of everybody else it'll be a new Bat. As for Multiversing the movie - please, no - I don't think so, unless the Black Noir lookin' dude behind Supes with a U on his chest when he's being arrested is an emo version of Ultraman. Or is that one of Lex's suits?

He's on pre-order from McFarlane already, and is just a bit-part, workaday Kaiju. Not even a named part. He should call his agent. Probably be sitting forlornly in a booth in London Comic Con in a couple years trying to tell people he's worked with James Gunn. Then again, McFarlane might be better at not spoilering than Lego or some of the other toymakers. https://mcfarlane.com/toys/kaiju-superman-movie-mega-figure Again, I'm wondering how he fits in the movie alongside Lex, The Engineer, The Hammer Of Boravia (?) and The Floating Eye Of Death. (Hey, team-up?) Wonder if the prevalence of such beasts attacking Metropolis is a plot point - might people start thinking they're all coming to town to challenge him or get him out of the way? And do they have worse insurance premiums than Paragon by now?

That doesn't get you clicks on socials, though, or monetise those YouTube clips... Small incoming rant. Every reviewer across time has had their own schtick, from Siskel & Ebert, Barry Norman and Mark "Grumpy" Kermode, through to the old acid-pen theatre critics back in the day. It's how they gain a following. (BTW: hunt out Ian McKellen in full b**ch mode in The Critic if you like that sort of thing.) And people sometimes like reading things getting trashed. I'm a tiny bit bothered these days that there's a direct, easily-gamed monetisation model attached to some of it, but hey, if that's what people wanna read, and a guy's gotta eat. It just ain't Siegel and Shuster's gospel truth until the flick comes out.

Okay, we have a character breakdown of everyone who's in Season 2, and a couple of nice things to know: https://www.netflix.com/tudum/articles/wednesday-character-cast-guide This version of Hester is a somewhat dead-hearted mogul. (Big in funeral homes, naturally. Definitely a business that's never going to go cold...) But with a soft spot for Wednesday, and they're pointing up the grandma/mother/daughter triangle. Should be fun with these three.. Fred Armisen's joins the family as Fester, which should also play to his strengths. And Christopher Lloyd gets faculty tenure as disciplinarian Professor Orloff. That sounds more like an extended cameo: but one well suited to the infamous Judge Doom. And while I'm not normally fond of PR puff pieces - I have to read them a lot for work - something genuinely made me smile. I'd been wondering why the CGI on Thing was so good. It's not CGI. It's an old-school bluescreen performance by the wonderfully named Victor Dorobantu, a closeup magician and creature performer (from Ploiesti, Romania... just down the road from Transylvania. You couldn't really get better.) Oh, and chalk another one up for the power of practical FX.

Kamala isn't necessarily my favourite person. (Nothing to do with the writing. I find hyperenthusiastic teenagers grating in person as well. So in that sense, I suppose it's true to life). But I felt very at home with her family, liked the way her arc worked through dealing with her first Hellions-level adventure, and her relationship dynamics. And your words instantly brought to mind that great little musical in-joke they threw in...

Duran Duran - Make Me Smile (Come Up & See Me) (Live)